
Welcome
to my page. I hope you have time to take a look around.
'Out
of the Blue' is my brand new EP, released March 21, 2013. It is
60s-influenced, theatrical electronica pop I like to think of it as old
fashioned melodies with post-modern beats. It is my third commercial
release and is the first in a series of three EPs. Here is the first
review in:
'Out of the Blue Track by track- 1. Dance to the Music in my Head Sexy,
sultry- generates the vision of someone softly swaying with their eyes
closed, a gentle smile on their lips .. slowly builds. 2. Moshi Moshi I had visions of Japanese pop with this one, that crosses Britney with Kylie, and in a good way, akin to her own early work. 3. No Bolt Out of the Blue No
she certainly is not! This could be a TripleJ track, given the contents
of the Hottest 100 in the last few years. Brit-Pop meets Alt-Aus in the
vein of Regina Spector, Sara Blasko, etc. 4. The Whole Shebang Very
Dusty / Sandie / Cilla with her own je ne sais quoi. Her press release
says that the girl-singers of the 1960s had been “disregarded as
relevant to [her] type of music” but, having recently been introduced
to it by Damian (Celebate Rifles) Lovelock, she’s certainly let the
influence show in this and the next one. 5. Good Old Fashioned Heartache A gentle swinger, this time in the vain of the Spector Wall of Sound with more of that Dusty / Sandie / Cilla for good measure. Life
has been full of ups and downs for Amanda and her family, something to
which I can relate, and hopefully there’s more good than bad in the
future for them all! Out of the Blue is certainly a fine example of
where she’s been, where she is, and perhaps, where she’s going. Very nice! ллл'' PG (Jacky) Gleeson
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"Not
for Amanda the little-girl-lost vocals which many female singers use
and she doesn’t need to shout and bawl to get her point across.
Here is a singer who sounds strong, confident, sassy, sexy and in
control of everything.
She
takes you into that smoky club, complete with red velvet seats; she’s
up on that stage and you’re hanging onto every word that she sings."
Malcolm Carter,
PennyBlack Musicf |




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